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DJ K: Radio Libertadora! review – explosive freedom and skilful cacophony

(Nyege Nyege Tapes)Kaique Vieira’s latest ‘bruxaria’ album is even bolder and louder than his 2023 debut, as he brings revolutionary spirit to the funk sound of São PaoloOver the past two years, Kaique Vieira, AKA DJ K, has been crafting a new sound of São Paolo. Influenced by local favela street parties, the 24-year-old producer takes the distorted bass, Afro-Brazilian rhythms and vocal melodies of baile funk – a dance genre that originated in Brazil in the 80s – and adds a darker palette of reverb-laden vocal lines, rave sirens and buzzing synths to create a style he calls bruxaria (witchcraft). Vieira’s 2023 debut Pânico no Submundo was a 15-track introduction, harnessing the sound of blown-out speaker cones. Radio Libertadora! moves into even bolder and louder territory, developing his nascent genre into a source of dancefloor chaos.Opening with a sample of a 1969 radio speech by the revolutionary Carlos Marighella, which called on people to act against Brazil’s military dictatorship – and gives the album its title – Vieira sets the tone for the record as an energetic riposte to the current criminalisation of baile funk street parties. In his bruxaria universe, the beats are hard, vocals are screamed and bass is explosive, creating an overwhelming, apocalyptic sound. Mega Suicidio Auditivo features siren squeals, thunderous bass, radio jingle samples and shouted lyrics within the first 20 seconds, while Sua Filha Quer Os D layers rap verses and synth melody over the Islamic adhan call to prayer. Techno de Favelado veers seamlessly from harsh Berlin techno to trance and baile funk rhythm while featured Meduza tries to make herself heard. Continue reading...

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