Parallel Lines by Edward St Aubyn review – troubled minds and family mysteries

The Patrick Melrose author brings his trademark dark wit and flinty compassion to this wide-ranging sequelEdward St Aubyn’s previous novel, 2021’s Double Blind, was something of a challenge even for his devotees. Leaving aside the usual gripe that he is never quite as compelling without the shield of his authorial alter ego Patrick Melrose, the obsessive nature of the book’s inquiry into bioethics, narcosis, psychotherapy, oncology, venture capitalism and inheritance made too heady a cocktail to be more than sipped, a few pages at a time. I struggled with it until the very last scene, a charity bash where a schizophrenic young man takes his first terrified steps in employment as a waiter and happens upon a woman who, unknown to both, is intimately related to him. Their chance encounter was intensely moving and tautly suspenseful – you felt an immediate longing to know what would befall them.That longing is now answered in Parallel Lines, which picks up the narrative five years later and reintroduces its cast of interestingly troubled characters. Francis, a botanist pursuing a rewilding project on a Sussex country estate, has now joined an NGO in Ecuador trying to save the Amazonian rainforest. He’s also raising a son with his wife, Olivia, a writer producing a radio series on natural disasters and wondering whether Francis can resist the amorous lures of his philanthropist boss. Olivia’s best friend, Lucy, is in the throes of treatment for a brain tumour, the traumatic reverberations from which have forced her boyfriend – wild man plutocrat and drug fiend Hunter – to seek refuge with “compassion burnout” at an Italian monastery, where he’s hosted by a gentle abbot, Guido. Continue reading...

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