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Saraswati by Gurnaik Johal review – an ambitious Indian panorama

In the first novel from the author of We Move, descendants of a proscribed intercaste marriage are connected across continents and centuriesGurnaik Johal’s first book, 2022’s We Move, demonstrated how rewarding it can be for a gifted young writer to ignore conventional wisdom. Writers who land in agents’ inboxes with collections of stories are invariably told to come back when they have a novel, and to write about what they know. Johal’s stories were set in a world he knows intimately – the immigrant communities of west London – but they moved between professions and generations with thrilling confidence.Saraswati is also populated by a large cast of diaspora Punjabis. But where Johal’s collection stood apart from the landscape it was published into, his first novel is a representative example of a ubiquitous 21st-century genre. That genre lacks a name – in 2012, Douglas Coupland proposed “translit”, which didn’t catch on then and certainly won’t now – but its features are all too recognisable. These novels contain multiple narratives, each set in a different country if not continent, often in a different century. Although long by modern standards, they are packed – with events, themes, facts. They address themselves to the big questions of the day, not by the traditional means of examining urban society but through a kind of bourgeois exotic. The characters are paleontologists, mixed media artists, every flavour of activist, but never dentists or electricians. The settings are often remote: tropical islands or frigid deserts. Continue reading...

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