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Solitude Without Loneliness review – bad dates, frenzied flyering and the spirit of the fringe

Dance Base, EdinburghMalcolm Sutherland’s meta production about isolation and the search for intimacy knowingly ties its themes to the experience of the fringeThe dry title belies a show with spark. Solitude Without Loneliness can feel like several fringe shows in one as Malcolm Sutherland’s dance-theatre production takes an early detour into sketch comedy and then continues to change gears.As a choreographer, Sutherland is interested in the perks and perils of isolation and he forms a trio with Jorja Follina and Alex Henderson, who are all initially alone together. Against the stark towers cast by Simon Gane’s lighting design, the three writhe in a state of undress, faces covered by their clothing. It’s a straightforward yet surprisingly effective way to establish a piece about depersonalisation, matched by muffled voices on Hörður Már Bjarnason’s rumbling soundscape and muted costumes by Alison Brown. Continue reading...

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