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The AI ‘actor’ Tilly Norwood is a symptom of blandified film culture. We need a return to reality | Peter Bradshaw

The industry should refuse to work with these uncanny figures, which plagiarise the performances of generations of actorsWhat is scary about “Tilly Norwood”, the new AI-generated screen star created by the digital studio Xicoia, and launched in a pre-emptively ironic comedy video mocking the soulless unoriginality of AI, is how very convincing it looks in all its girl-next-door cheerfulness. I was expecting something like those Stepford-Wife AI language tutors that crop up on your Instagram feed, promising to practise German or Spanish or French with you. But it has to be said: “Tilly” is like an iPhone 17 making those faces look like a Nokia brick. It is not on screen for long and perhaps vanishes just before you sense something’s off, but as things stand, “Tilly” doesn’t look obviously less real than ​m​any of the performers​ who appear on screen today.It is not merely that the technology which creates these unreal figures gets relentlessly better and better – the creators of “Tilly” have in effect plagiarised a million style and performance touches from legions of actors who once sweated real blood to make a success of them. It’s also that the aesthetics of real-world performance and writing are themselves getting more and more programmatic, blandifying downwards to meet the robot’s existence halfway and create a seamless uncanny-valley context in which it can thrive. It is not merely a question of the aesthetics of female beauty (created by an overwhelmingly male army of coders and tech bros), but an aesthetics of everything on the screen. Continue reading...

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