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‘Science is a human endeavor’: astrophysicist uses art to connect Black and brown kids to the Stem fields

Through her book, Painting the Cosmos, and her non-profit, Onaketa, Dr Nia Imara hopes to introduce underserved youth to the sciencesWhen practicing funeral ceremonies during the antebellum period, enslaved west Africans mimicked the sun’s rotation as they danced counterclockwise in hidden clearings. They would sing and shuffle their feet to the beat of the drums in a ring shout, a ritual to honor the deceased that originated in Africa and which is still practiced by the descendants of enslaved people in the south-east US today. For the bereaved who grieved the recent death of a loved one, their practice orbited around the setting sun.So begins a chapter about our closest star in Painting the Cosmos, a recent book by UC Santa Cruz astrophysicist Dr Nia Imara. The book blends science and art in an ode to the diversity of the cosmos. While touching on astronomical tidbits, such as the fact that scientists measure the rate of the sun’s spin by tracking the sunspots on its surface, Imara demonstrates the influence of astronomy on life and culture throughout history. She compares the sun’s rhythmic cycle to the repetition found in the Black artist Alma Thomas’s abstract paintings of space, and the patterns in the west African Bwa people’s multicolored wooden masks depicting the sun and nature. As a painter and one of the only Black female astronomy professors in the US, Imara focuses on the contributions of Black and brown artists and scientists throughout her book. Continue reading...

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