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Creditors review – Charles Dance, Geraldine James and Nicholas Farrell get gasps and guffaws from Strindberg

Orange Three theatre, LondonDirector Tom Littler finds the comedy in the Swedish tragedian’s play about how people use each other up in love and artIn an interview before his production of Noël Coward’s Blithe Spirit, the director Michael Blakemore reported telling the cast to aim for “Strindberg with laughs”. The line suggests a gulf between the Swedish dark tragedian and English light comedian but the dramatists have a curious affinity.August Strindberg’s Creditors (1889) and Coward’s Private Lives (1930) both start in hotels where a troubled couple is haunted by a former marriage. It’s unclear if the influence was conscious but, if so, would have been apposite. Strindberg identified his drama as a “tragicomedy”, the genre in which, as Blakemore recognised, Coward is increasingly seen to belong. Continue reading...

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