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D’Angelo’s music was imbued with the influence of Black women

Female collaborators, muses and ministers shaped D’Angelo’s voice, arrangements and emotional acuityThe first time D’Angelo reached me, he wasn’t alone. His voice was entwined with Erykah Badu’s on Your Precious Love, a duet that felt like an offering being passed between sweethearts. I was 14, the edge of adolescence, opening to my own life. Their voices sounded delicate, blooming – almost shy. A cover of a classic Motown record written by Ashford & Simpson and sung, most memorably, by Marvin Gaye and Tammi Terrell, D’Angelo and Erykah’s churchy call-and-response nodded to the past while low-pitched boom-baps reflected contemporary trends on the FM dial. It was a crossroads sound, working two ways at once, and the blend, the hybridity of it all, heralded the future.Before long, D’Angelo’s 1995 debut Brown Sugar got shared and traded and analyzed among my girlfriends. Though we were deep in hip-hop’s high-flossing, shiny suit era, we noticed how he insisted on tenderness. It was the ’90s; crack and the crime bill had ravaged our neighborhoods and hurt our pride. His visuals seemed to seek to restore it. His music videos had a relaxed, smoky cool; clips such as Lady and Me and Those Dreaming Eyes of Mine showed women in every hue of brown whirling beneath warm lights and D’Angelo’s own devoted gaze. I had a dozen first loves, just as many fears, and a bouquet of dreams for the future – D’Angelo’s songs seemed to catch my currents. Continue reading...

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