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Liverpool Biennial review – AI seagulls, gladiatorial football and big trouble in Chinatown

From the vicious acoustics of match days to supernatural moments in a church, this year’s best pieces reflect the emotional bedrock of this roaring, soulful cityI narrowly avoided being “relieved on” by a seagull in Liverpool. Another critic pulled me aside just in time. But then again, she pressed the button to release the airborne poo – fake, I think – in the first place. This is Kara Chin’s funny installation in a cinema recreating the seediness of the seaside with squawking AI seagulls on video screens, chaotic electro-assemblages resembling mutant arcade machines and a floor covered with guano. Liverpool is not by the sea but close enough that seagulls provide a chorus as you walk between Liverpool Biennial art events in museums, galleries, warehouses and community centres.I can’t see the Liver Birds on the skyline without remembering the first time I visited this city as small child, seeing my aunt off on a voyage across the Atlantic, from docks that then loomed with massive ships. Proustian memories of the biggest city I knew as a child return with a vengeance in a raw warehouse space where Turkish artist Cevdet Erek has created a homage to the noise and intensity of soccer crowds. He loves football and loud music. I meet him there and he enthuses about attending Anfield as research, and being inspired by a track on Pink Floyd’s Meddle. Flashbacks of matches with my dad surge. Continue reading...

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