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Never mind the Norman bollocks: Reading’s replica Bayeux tapestry is a prudish triumph!

It may not be completely anatomically accurate, but the Victorian copy of the Bayeux tapestry is as much an emblem of its time as the 11th-century original‘We’ve already got one,” sneers a snotty French knight in Monty Python and the Holy Grail. With that holy grail of British history, the Bayeux tapestry, about to be lent by France to the British Museum, we could say the same. In 1885, Elizabeth Wardle of Leek, Staffordshire, led a team of 35 women in an extraordinary campaign to embroider a meticulous, full-scale replica of the entire early medieval artwork. With Victorian energy and industry they managed it in just a year and by 1886 it was being shown around Britain and abroad.Today that Victorian Bayeux tapestry is preserved in Reading Museum, and like the original, can be viewed online. Are there differences? Of course. The Bayeux tapestry is a time capsule of the 11th century and when you look at its stitching you get a raw sense of that remote past. The Leek Embroidery Society version is no mean feat but it is an artefact of its own, Victorian age. The colours are simplified and intensified, using worsted thread, as Wardle explains in its end credits, “dyed in permanent colours” by her husband Thomas Wardle, a leading Midlands silk dyeing industrialist. Continue reading...

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