Nuremberg review – Russell Crowe’s Göring vs Rami Malek’s psychiatrist in swish yet glib courtroom showdown

Crowe and Malek are hugely watchable but this ultimately fails to deliver an authentic version of eventsIf the Nuremberg trials were political theatre, writer and director James Vanderbilt leans into the spectacle of it. His new movie Nuremberg, about the show put on for the rest of the world to indict Nazi war criminals, is packaged like old-fashioned entertainment. There are movie stars (chiefly Rami Malek and Russell Crowe) with slicked-back hair, trading snappy barbs and self-important monologues in smokey rooms, meanwhile the gravity of the moment tends to be kept at bay. All the bureaucratic and legal speak around fine-tuning an unprecedented process, where one country prosecutes the high command of another, goes down easy in an Aaron Sorkin sort of way. It is riveting when its urgency is defended by an actor as great as Michael Shannon. It is all so watchable, to a fault, especially when dealing with the unspeakable.There’s some rhyme and reason to the director’s approach. Vanderbilt (who wrote the screenplay for David Fincher’s Zodiac, a masterpiece about the impossible pursuit for truth) has made a movie about two figures so narcissistic, opportunistic and caught up in the showmanship that they leave very little room for the gravity of the moment to sink in.Nuremberg is screening at the Toronto film festival and will be released 7 November in the US and 14 November in the UK Continue reading...

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