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The heart triumphs over all things: why ‘anti-capitalist romcom’ Materialists isn’t just a fantasy

Celine Song’s new film may have hint of glossy 2000s romcom about it, but its take on the age old question of love or money has the cynicism of todayLike all love triangles, Celine Song’s new film Materialists places you at a fateful fork in the road, peering at two points in the distance and evaluating the different futures that lie in wait. In Materialists, the first destination looks like this: a glossy Manhattan penthouse; regular dinner dates at five-star restaurants; few if no apparent friends; a lot of money, and being the object of envy of New York’s society women. What you lack in warmth you make up for in status. The second, meanwhile, is much less glamorous: a dingy shared apartment in south Brooklyn with two slob flatmates; arguments about money; takeaway meals from food trucks. But perhaps you’d have a lot more fun.It’s the question driving many of our romantic stories, the choice animating everything from Jane Austen’s novels to the climax of reality television show The Bachelor: love or money? Song’s films seem to be more interested in love. Her first feature, the double Oscar nominated Past Lives, was a wistful story about star-crossed love that brought audiences to tears. There is a lot less wist in this follow-up, a satire-tinged drama about the indignities of modern dating in our renewed gilded age. Dakota Johnson plays Lucy, an unapologetic materialist and high-end matchmaker who is instantly charmed by Harry (Pedro Pascal), a banker who is what those in her business call a “unicorn”: rich, tall, handsome, smart. At the same time, she reconnects with ex-boyfriend John (Chris Evans), who still looks at her with a puppy-eyed devotion and nurses his inability to provide her the life she wants like a sore wound. Continue reading...

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