Così Fan Tutte review – country house remix offers fresh farce and energy

Nevill Holt festival, Market HarboroughMisogynist Don Alfonso is at the centre of things in this opera-within-an-opera benefitting from a witty translation into English, formidable arias and scene-stealing actingAtop its elegant Leicestershire hill, the operatic foundations of the Nevill Holt festival feel more secure right now than those of the beleaguered state funded companies down in the cities. The stable courtyard at Nevill Holt was converted into a comfortable 400-seat opera house seven years ago, and now this year’s festival also offers the first fruits of a tie-up with Leeds-based Opera North, who will take a new production south for the coming five years.This summer’s Così Fan Tutte offers alternating casts under the assured and energised conducting of Chris Hopkins. But it is not in every respect a wholly new production. Cecilia Stinton’s direction and George Leigh’s designs provide a specially created version of Mozart’s opera for the Nevill Holt residency. Yet there remain traces, notably in the costumes, of the Tim Albery production that did sterling work for Opera North from 2009. Perhaps it is best to think of this as a country house remix of Albery’s Cosi. Continue reading...

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