The Potato Eaters review – a descent from visceral dread into full-blown terror

Lazzaretto Vecchio, VeniceOn the site of a hospital for leprosy patients, audience members are invited to wander in near darkness among twitching body bags into a choreographed scene of ritualised tyrannyThere are strong Death in Venice vibes to the setting of Romeo Castellucci’s site specific production at the Venice Biennale Teatro. The show, by the Italian writer-director and his company, inhabits its own island – a long, lizard-like colony. The audience boards a shuttle and skims across the water to arrive at a building that was once a lazaretto – a hospital for leprosy patients. Associations with fatal infection and social isolation are chillingly resonance of the Covid pandemic. But as you wander into this disturbing promenade piece, things turn chilly in more ways than one.The building’s interior is stripped of its skin so that its brick and rafters lie bare, and there is a low electronic rumble of sound along its corridors which is as disquieting as the near darkness. Windows are boarded up, as if deliberately concealing activity inside. Further along, there are bags lying in empty rooms that at first look empty but which twitch with still-living and breathing bodies inside them. Continue reading...

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