‘In his company you could not be lazy’: remembering my friend Ngũgĩ wa Thiong’o

A giant of African literature whose best works existed between the political and the personal, Ngũgĩ wa Thiong’o was warm, funny and friendly – and liked to bet on my pool gamesAmong the African writers who emerged in the middle of the 20th century, the most political undoubtedly was Ngũgĩ wa Thiong’o. Born in Kenya while it was still under British rule he was anti-colonialist, a communist, anti-dictatorial, and an almost militant proponent for African languages being used for African literature.His best works exist at the interface between the political and the personal. His first book of essays, Homecoming, is at once engaging and polemical. His early novels Weep Not, Child and A Grain of Wheat look at the impact of colonialism and the Mau Mau rebellion on individual lives. He was strangely at his best with the personal and the intimate, but his reputation grew more from his political stances – first against the British government, then against the dictatorship in Kenya in the 70s. He was jailed not for a thundering political text but for a play in Kikuyu called I Will Marry When I Want. In prison he wrote his memoir on toilet paper. Continue reading...

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