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Nicola Benedetti: Beethoven’s Violin Concerto album review – warm and deliciously playful throughout

Benedetti/Aurora Orchestra/Collon(Decca)Benedetti and the Aurora, who play from memory, have fun and freedom here, augmenting the role of the drum in an ebullient recordingWe tend to have an unhealthy reverence towards Beethoven, says Nicola Benedetti in the notes to her new recording of his Violin Concerto. He did, after all, write this now-venerated concerto largely on the fly, for a soloist whose party piece was playing the violin upside down.So it’s apt that Benedetti, Aurora and their conductor Nicholas Collon have recorded an interpretation that’s buoyant, warmly affectionate and at times just a little tongue-in-cheek. You’d expect playfulness in the last movement, but it’s there to some extent throughout, even in Benedetti’s weightless playing of the slow movement. There are striking moments nodding to historical authenticity – the drum, with sticks hard as nails, at the very start, and the vibrato-less strings in the introduction to the slow movement. The drum becomes unusually important, announcing the first-movement cadenza with a huge roll and then joining Benedetti in a rollicking cadenza adapted from Beethoven’s piano version. Continue reading...

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