A Berlin audience has fake faeces thrown at them – and is moved to tears. So am I | Fatma Aydemir

We’re surrounded by news images of death and violence. Why do Florentina Holzinger’s visceral stage productions still have such impact? What would you do if the world was to end tomorrow? The premise itself may be both timeless and timely at this moment when authoritarianism is on the rise globally. But that’s not really what causes the nail-biting excitement at the doorstep of Volksbühne theatre in Berlin. On a chilly June evening, a predominantly female and queer crowd of all ages gathers here to see, or rather experience, A Year Without Summer, the newest play by the infamous Austrian choreographer Florentina Holzinger. It’s the anticipation of Holzinger’s trademark body horror that unsettles and attracts us, the crowd. And the question: how much can we take?“Europe’s hottest director”, as the Guardian described 39-year-old Holzinger last year, is not only known for her work at the Volksbühne but mesmerises and shocks audiences all over the world. Her all female-assigned cast of different ages, origins and abilities dances, bleeds, defecates and swallows swords on stage, naked.Fatma Aydemir is a Berlin-based author, novelist, playwright and a Guardian Europe columnist Continue reading...