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Review: Obsessive, vengeful, and frightening – and a company at its very best

Review: Obsessive, vengeful, and frightening – and a company at its very best
It’s the stuff of Arthur’s Miller’s 1953 play - he had the McCarthyism of 1940s and 50s America in mind when he wrote The Crucible - and in 2019 it became the dramatic thrust of Helen Pickett’s visceral new choreography for Scottish Ballet.

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